She’s particularly wonderful in the scenes where she’s most hysterical, suppressing and on the verge of failing to contain emotion, the ones that demand most of her as an actress: when Stewart sedates her in Marrakesh, the Albert Hall scene, the scene where she sings Que sera sera again at the embassy knowing her son is upstairs. Indeed he was, and with reason: Doris gives a great performance in the film. ” He told us he didn’t want Doris Day but he had to take her. ![]() ![]() “His agent, MCA, said he couldn’t have Stewart unless he took Doris Day,’ recalled Livingston. In Alfred Hitchcock: A Life in Darkness and Light, Patrick McGilligan writes that, ‘According to songwriter Jay Livingston, who wrote the theme song for The Man Who Knew Too Much, Day wouldn’t have appeared in the remake if not for the pressure from MCA, which represented Hitchcock and the actress. ![]() There’s a lot of lore written about Doris Day, her presence and her performance in Hitchcock’s The Man Who Knew Too Much.
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